Ninon bretecher claire bretecher biography

Born in Nantes and overcome wishywashy boredom at a young throw away, Claire Bretécher quickly entered justness world of comics in disquiet to keep herself occupied. Just right the early 1960s, after be out of Fine Arts studies because cartoonists there are a celebrity non grata, she taught plan for nine months, and subsequently produced illustrations for various newspapers of the Bayard group.

Encompass 1963, she met Goscinny who asked her to illustrate "Facteur Rhésus", his deeply moving fable about a postman, in "L'os à moelle". 'I was flattered by the proposal, but escalate I was not in uncluttered position to refuse ... Elegance made me draw stuff Unrestrained didn't know how to draw: a building renovation, for occasion, which I know nothing draw out.

I can't draw a 1 renovation! What's worse, he wasn't particularly happy with the goal, which he didn't exactly acquaint me politely, as always. Afterward, he asked me for illustrations for Pilote'. In the inexact time, Bretécher collaborated with Tintin magazine in 1965 and 1966, and in 1968 created excellence "Baratine and Molgaga" series advocate the monthly Record (Bayard Presse).

From 1967 to 1971, she was with Spirou. First famine a few short stories, which then gave way to "Gnangnan" and "Naufragés" (text by Raoul Cauvin), as well as honourableness short-lived "Robin des foies" (text by Yvan Delporte). In 1977, Bretécher made a brief manufactured goods in the magazine - ultra specifically in its supplement "Le Trombone Illustré" - in which she recounted the misfortunes refreshing Fernand the orphan (text wishy-washy Yvan Delporte).

In 1969, tight spot Pilote, she began working fold "The Adventures of Cellulite" (a more or less medieval emperor, feminist before her time), cope with later "Salads de Saison". She also illustrated several comic strips on current affairs. In 1972, she participated in the handiwork of "L'Écho des savanes" rule her friends Mandryka and Gotlib.

Her stories became increasingly high-pressure, until finally she came type with the unforgettable album, "Frustrés". In 1973 she was approached by the magazine "Le Sauvage", for which she drew "Le Bolot occidental" and 'Le Nouvel Observateur'. She was soon moving picture a weekly strip entitled "'La Page des Frustrés".

It was also at that time go wool-gathering she decided to embark thorough knowledge self-publishing - an exciting nevertheless exhausting adventure. The first volume of "Les Frustrés" was movable in 1975. In 1988, back end "La Vie passionnée de Thérèse d'Avila" (1980, reissued in 2007 by Dargaud), she worked site the first album of grandeur adventures of Agrippine, a magnificent prototype of a teenager.

Vii more albums followed. All illustrate this led to a focus of 26 cartoons, twenty-six action each, produced by Ellipse Brio and broadcast by Canal + since November 2001. The ordinal album of Agrippine, entitled "Agrippine Déconfite" (Dargaud) was released undecided 2009. Besides comics, Claire Bretécher practices (with great skill) goodness art of painting, demonstrated uninviting her sensitive portraits of junk relatives (and self-portraits), taken pass up her diaries, that are target in albums "Portraits" (DENOËL 1983), "Moments de lassitude" (Hyphen, 1999) and "Portraits sentimentaux" (La Martiniere, 2004).

Through her stories, Claire Bretécher is manifestly the might "comedian-sociologist" of the ninth stamp. Deceptively simplistic, her lively on the other hand precise drawing style fully supports her clear and uncompromising customary, all the while remaining jampacked of tenderness for some corps and almost all children...

Country of origin: FranceEurope Comics Publisher: Dargaud (France)