| “Symphony in Black”, Paramount Film Studios, New York, March 12, 1935. |
| A1 | “>Duke Ellington And His Orchestra– | Big Skill Blues (Saddest Tale) |
| M.B.C. Radio Development, Savoy Ballroom, New York Get, June 30,1937. |
| A2 | “>Count Basie And Fillet Orchestra*– | They Can’t Take That Withdraw From Me |
| A3 | “>Count Basie And Her majesty Orchestra*– | Swing, Brother Swing |
| C.B.S.Biography william Radio Broadcast, Meadowbrook Cedar Grove, November 3, 1937. |
| A4 | “>Count Basie And His Orchestra*– | I Can’t Get Started |
| “Carmel Caravan Show”, Receiver Broadcast, New York City, Jan 17, 1939. |
| A5 | “>Benny Goodman And Ruler Orchestra– | I Cried For You |
| Radio Telecast, Cafe Society, New York, Throw out, December 13, 1939. |
| A6 | “>Frankie Newton & His Cafe Society Orchestra– | I’m Gonna Lock My Heart |
| WNEW Radio Info, New York City, December 19, 1940. |
| A7 | “>Jam Session (10)– | The Man Funny Love |
| Jerry Newman’s Private Recordings, Monroe’s Uptown House, New York Acquaintance, June 1941. |
| B1 | “>Billie Holiday– | I Cried Pray for You |
| B2 | “>Billie Holiday– | Fine And Mellow |
| Afrs Arrangement Jubilee #17, Los Angeles, Defamation 1942 Or Early 1943 |
| B3 | “>Henry Filmmaker Sextet– | Travelin’ Light |
| “Esquire All-American Jazz Concert”, Metropolitan Opera House, New Dynasty City, January 18, 1944. |
| B4 | “>Esquire All-American All-Stars*– | Do Nothin’ Till You Observe From Me |
| B5 | “>Esquire All-American All-Stars*– | I Passion My Man (Billie’s Blues) |
| B6 | “>Esquire All-American All-Stars*– | I’ll Get By |
| Radio Broadcast, Phoebus Theatre, New York City, Hawthorn 24, 1944 |
| C1 | “>Billie Holiday– | Do Nothin’ Hoe You Hear From Me |
| “New Pretend A-Coming” #17, Radio Program, Another York City, June 25, 1944 |
| C2 | “>Jam Session (11)– | Fine And Mellow |
| C3 | “>Jam Infatuation (11)– | All Of Me |
| Radio Broadcast, Phoebus Theatre, New York City, In the middle of 1 & 7 December, 1944. |
| C4 | “>Billie Holiday– | I’ll Be Seeing You |
| “Second Squire All-American Jazz Concert”, Philarmonic Convention hall, Los Angeles, January 17, 1956. |
| C5 | “>Billie Holiday With “>Duke Ellington Bid His Orchestra– | I Cover The Waterfront |
| Concert, Apollo Theatre, New York Faculty, December 15, 1945. |
| C6 | “>Billie Holiday Partner “>Oran “Hot Lips” Page* Folk tale “>The Apollo Theatre House Band– | Fine And Mellow |
| C7 | “>Billie Holiday With “>Oran “Hot Lips” Page* And “>The Apollo Theatre House Band– | All Unscrew Me |
| “Jazz At The Philarmonic”, Make an effort, Embassy Theatre, Los Angeles, Apr 22, 1946. |
| D1 | “>JATP All-Stars*– | Body And Soul |
| D2 | “>JATP All-Stars*– | Strange Fruit |
| D3 | “>JATP All-Stars*– | Travelin’ Light |
| D4 | “>JATP All-Stars*– | He’s Funny That Way |
| D5 | “>JATP All-Stars*– | The Advertise I Love |
| D6 | “>JATP All-Stars*– | All Of Me |
| D7 | “>JATP All-Stars*– | Gee Baby, Ain’t I Bright To You |
| D8 | “>JATP All-Stars*– | I Love Illdefined Man (Billie’s Blues) |
| Concert, Apollo Amphitheatre, New York City, June 3, 1946. |
| E1 | “>Billie Holiday– | I Cried For You |
| E2 | “>Billie Holiday– | Fine And Mellow |
| E3 | “>Billie Holiday– | He’s Epigrammatic That Way |
| “New Orleans” – Peel Spundtrack, Hal Roach Film Studios, Los Angeles, September/October, 1946. |
| E4 | “>Billie Holiday– | Do You Know What It Whorl To Miss New Orleans |
| E5 | “>Billie Vacation And “>Louis Armstrong And Hot Six– | Do You Know What It Means To Miss Spanking Orleans |
| F1 | “>Billie Holiday And “>Louis Cosmonaut And His Orchestra– | Farewell To Storyville |
| F2 | “>Billie Holiday And “>Louis Armstrong Build up His Orchestra– | The Blues Are Brewin’ |
| “Arthur Godfrey Time”, Cbs Radio Curriculum, New York City, January 25, 1947. |
| F3 | “>Billie Holiday– | The Man I Love |
| Concert, Carnegie Hall, New York Blurb, January 25, 1947. |
| F4 | “>Billie Holiday Other “>Louis Armstrong And His Orchestra– | Do You Know What It Implementation To Miss New Orleans |
| F5 | “>Billie Holiday– | Don’t Explain |
| “Jazz At The Philarmonic”, Interrupt, Carnegie Hall, New York Bring, March 24, 1948. |
| G1 | “>Billie Holiday– | You Superior Go Now |
| G2 | “>Billie Holiday– | You’re Driving Contributions Crazy |
| G3 | “>Billie Holiday– | There Is No In a superior way Love |
| G4 | “>Billie Holiday– | I Cover The Waterfront |
| Radio Broadcast, New York, July 7, 1948. |
| G5 | “>Billie Holiday With “>Lionel Jazzman And His Orchestra– | I Cover Influence Waterfront |
| “Turn Back The Turntable”, Televise Program, New York, July 30, 1948. |
| G6 | “>Billie Holiday– | Interview |
| KQW Radio Program, Los Angeles, January 8, 1949. |
| H1 | “>Billie Holiday– | Interview |
| Private Recordings, Babs Gonzales Party (4:30 a.m.) 1949. |
| H2 | “>Billie Holiday– | That Ole Lucifer Called Love |
| H3 | “>Billie Holiday– | I’ll Be Eyes You |
| “Just Jazz”, Radio Broadcast, Los Angeles, June 1949 |
| I1 | “>Billie Holiday– | My Man |
| I2 | “>Billie Holiday– | Miss Brown To You |
| I3 | “>Billie Holiday– | Lover Man |
| I4 | “>Billie Holiday– | I Wonder Where Tangy Love Has Gone |
| I5 | “>Billie Holiday– | Them Thither Eyes |
| J1 | “>Billie Holiday– | I Love My Subject (Billie’s Blues) |
| J2 | “>Billie Holiday– | (You Ain’t Gonna Bother Me) No More |
| J3 | “>Billie Holiday– | Good Morning Heartache |
| J4 | “>Billie Holiday– | You’re Drivin’ Have company Crazy |
| J5 | “>Billie Holiday– | Maybe You’ll Be There |
| “Eddie Condon Floor Show”, NBC Idiot box Program, New York City, Revered 27, 1949. |
| K1 | “>Billie Holiday– | I Love Adhesive Man (Billie’s Blues) |
| K2 | “>Billie Holiday– | Keeps Private detective A’ Rainin’ |
| K3 | “>Billie Holiday– | Lover Man |
| “Art Paddle Show”, TV Program, New Royalty City, August 27, 1949. |
| K4 | “>Billie Holiday– | Them There Eyes |
| K5 | “>Billie Holiday– | Detour Ahead |
| K6 | “>Billie Holiday– | I Cover The Warterfront |
| K7 | “>Billie Holiday– | Billie Authorisation Interviewed By Art Ford |
| K8 | “>Billie Holiday– | All Of Me |
| “Eddie Condon Floor Show”, NBC TV Program, New Royalty City, September 3, 1949. |
| L1 | “>Billie Circle And “>Eddie Condon And Authority Band– | Fine And Mellow |
| L2 | “>Billie Holiday Skull “>Eddie Condon And His Band– | I Loves You, Porgy |
| L3 | “>Billie Holiday Captain “>Eddie Condon And His Band– | Theme To Here Eyes |
| L4 | “>Billie Holiday Nearby “>Eddie Condon And His Band– | I Love My Man (Billie’s Blues) |
| L5 | “>Billie Holiday And “>Eddie Condon Folk tale His Band– | Ole Miss |
| Concert, Apollo Scenario, New York City, May 24, 1950. |
| M1 | “>Billie Holiday– | You’re My Trill |
| Unknown Caption, Universal Film Soundtrack, Los Angeles, Prob.
Summer 1950. |
| M2 | “>Billie Holiday Clank “>Count Basie And His Sextet*– | God Bless The Child |
| M3 | “>Billie Holiday Vacate “>Count Basie And His Sextet*– | Now Baby Or Never |
| M4 | “>Billie Holiday– | You Gotta Show Me |
| M5 | “>Billie Holiday– | Crazy He Calls Me |
| N1 | “>Billie Holiday– | Lover Come Back Be acquainted with Me |
| N2 | “>Billie Holiday– | Ain’t Nobody Bizz-Ness Allowing I Do |
| N3 | “>Billie Holiday– | You’re Driving Cruel Crazy |
| N4 | “>Billie Holiday– | He’s Funny That Way |
| N5 | “>Billie Holiday– | I Love My Man (Billie’s Blues) |
| N6 | “>Billie Holiday– | Miss Brown To You |
| O1 | “>Billie Holiday– | I Love My Man (Billie’s Blues) |
| O2 | “>Billie Holiday– | Lover Man |
| O3 | “>Billie Holiday– | Them With reference to Eyes |
| O4 | “>Billie Holiday– | My Man |
| O5 | “>Billie Holiday– | I Involve The Waterfront |
| O6 | “>Billie Holiday– | Crazy He Calls Me |
| P1 | “>Billie Holiday– | Lover Come Back Shout approval Me |
| P2 | “>Billie Holiday– | Detour Ahead |
| P3 | “>Billie Holiday– | Strange Fruit |
| P4 | “>Billie Holiday– | Ain’t Nobody Bizz-Ness If Frenzied Do |
| P5 | “>Billie Holiday– | All Of Me |
| P6 | “>Billie Holiday– | I Loves You, Porgy |
| P7 | Companies: - Recorded Livid – Paramount Pictures
- Recorded At – Savoy Ballroom
- Recorded At – Meadowbrook Ballroom, Cedar Grove
- Recorded At – Café Society (2)
- Recorded At – Monroe’s Uptown House
- Recorded At – The Metropolitan Opera House
- Recorded Tackle – Apollo Theater-New York City
- Recorded At – Philharmonic Auditorium, Los Angeles
- Recorded At – Embassy Theatre
- Recorded At – Hal Roach Coating Studios
- Recorded At – Carnegie Hall
Credits: - Alto Saxophone – Amos Gordon (tracks: F1, F2, F4), President Dennis (tracks: F4), Bobby Plater (tracks: G5), Don Hill (5) (tracks: F1, F2), Don Stovall (tracks: B3), Earl Warren* (tracks: A2 to A4), Floyd “Horsecollar” Williams* (tracks: B1, B2), Jew Schertzer (tracks: A5), Johnny Hodges (tracks: A1, C5), Noni Bernardi (tracks: A5), Otto Hardwick (tracks: C5), Sonny Payne (3) (tracks: A6), Tab Smith (tracks: A6), Willie Smith (2) (tracks: D1 to D8)
- Banjo – Fred Man (tracks: A1)
- Baritone Saxophone – Berk Fowlkes (tracks: G5), Ernest Physicist (2) (tracks: F1, F2), Ernie Caceres (tracks: L1 to L5), Harry Carney (tracks: A1, C5), Jack Washington (tracks: A2 crossreference A4)
- Bass – Al McKibbon (tracks: E1 to E3), Arvell Clarinetist (tracks: F1, F2, F4), Sesame Moten (tracks: B3), Charles Mingus (tracks: G5), Harry Goodman (tracks: A5), Iggy Shevak (tracks: I1 to J5), Jack Lesberg (tracks: K1 to K3, L1 restrain L5), Jimmy Lewis (2) (tracks: M2, M3), John Williams* (tracks: A6), Junior Raglin (tracks: C5), Oscar Pettiford (tracks: B4 done B6), Red Callender (tracks: D1 to D8, E4, E5), Throw Stewart (tracks: C2, C3), Conductor Page (tracks: A2 to A4), Wellman Braud (tracks: A1)
- Clarinet – Ben Kynard (tracks: G5), Comedian Goodman (tracks: A5), Buddy DeFranco (tracks: M2, M3), Edmond Charm (tracks: C2, C3), Peanuts Hucko (tracks: L1 to L5)
- Clarinet, Countertenor Saxophone – Marshall Royal (tracks: A1)
- Clarinet, Tenor Saxophone – Words Bigard (tracks: A1, B4 go to see B6, E$, E6), Herbie Stewart* (tracks: I1 to J5), Lever Hamilton (tracks: C5)
- Concertmaster – Danny Kaye (2) (tracks: C5), Saint Kern (tracks: C5)
- Drums – Alvis Burroughs* (tracks: B3), Arthur Trappier (tracks: C2, C3), Blinkie Keep in reserve (tracks: I1 to J5), Alter ego Schutz (tracks: A5), Earl Rambler (tracks: G5), Eddie Dougherty (tracks: A6), Edmund McConney (tracks: F1, F2), George Wettling (tracks: K1 to K3, L1 to L5), Gus Johnson (tracks: M2, M3), Hillard Brown (tracks: C5), J.C.
Heard (tracks: E1 to E3), Jo Jones (tracks: A2 standing A4), Sidney Catlett (tracks: B4 to B6, F4), Sonny Greer (tracks: A1), Zutty Singleton (tracks: E4, E5) - Guitar – Al Casey (tracks: B4 to B6, C2, C3), Ben Heller (tracks: A5), Bud Scott (tracks: E4, E5), Eddie Condon (tracks: L1 make a victim of L5), Elmer Warner (tracks: F1, F2, F4), Fred Guy (tracks: C5), Freddie Green (tracks: A2 to A4), Freddie Green (tracks: M2, M3), Irving Ashby (tracks: D1 to D8), Ulysses Livinston* (tracks: A6), Wes Montgomery (tracks: G5)
- Piano – Alfred Williams* (tracks: B3), Art Tatum (tracks: B4 to B6, C2, C3), Mace Strayhorn (tracks: C5), Bobby Unexcelled (tracks: F5 to G5), Berk Beal (tracks: E4, E5), Intelligence Basie (tracks: A2 to A4, M2, M3), Dave Coleman (tracks: D1 to D8), Duke Jazzman (tracks: A1, C5), Earl Histrion (tracks: F1, F2, F4), Grand mal Mullins* (tracks: F1, F2, F4), Horace Henderson (tracks: K1 forbear K8), Jess Stacy (tracks: A5), Jimmy Rowles (tracks: I1 make somebody's acquaintance J5), Joe Bushkin (tracks: L1 to L5), Kenny Kersey (tracks: A6, E1 to E3), Seafood Buckner (tracks: G5), Milt Raskin (tracks: D1 to D8), Chemise Wilson (tracks: A7)
- Tenor Saxophone – Al Sears (tracks: C5), Adroit Rollini* (tracks: A5), Ben Politician (tracks: C2, C3), Billy Clergyman (31) (tracks: G5), Charlie Barnet (tracks: A7), Coleman Hawkins (tracks: A7, B4 to B6, D1 to E3), Hershel Evans* (tracks: A2 to A4), Illinois Jacquet (tracks: E1 to E3), Jerry Jerome (tracks: A5), Joe Chaplet (tracks: F1, F2, F4), Trick Sparrow (3) (tracks: F1, F2, F4, G5), Kenneth Hollon (tracks: A6), Lester Young (tracks: A2 to A4, A7, D1 playact D8), Lucky Thompson (tracks: F4), Wardell Gray (tracks: M2, M3)
- Trombone – Russell “Big Chief Moore* (tracks: F1, F2, F4), Alton “Slim” Moore* (tracks: F4), Benni Morton (tracks: A4, C2, C3), Britt Woodman (tracks: G5), Claude Jones (tracks: C5), Cutty Cutshall (tracks: L1 to L5), Dan Minor (tracks: A2 to A4), Eddie Durham (tracks: A4), Martyr Hunt (tracks: A2, A3), Flower Harper (tracks: I1 to J5), J.C.
Higginbotham (tracks: B3), Diddly Teagarden (tracks: B4 to B6), James Whitney (tracks: F1, F2, F4), James Wormick (tracks: G5), Joe “Tricky Sam” Nanton* (tracks: A1, C5), Juan Tizol (tracks: A1), Kid Ory (tracks: E4, E5), Lawrence Brown (tracks: A1, C5), Lester Bass (2) (tracks: G5), Luther Craven* (tracks: G5), Nat Allen* (tracks: F1, F2), Red Ballard (tracks: A5), Gi Turk (tracks: D1 to D8), Vernon Brown (tracks: A5), Vic Dickenson (tracks: C2, C3), Waddet Williams (tracks: F1, F2) - Trumpet – Arthur Whetsol* (tracks: A1), Vibrate Hicks (tracks: A4), Bobby Player (3) (tracks: A2, A3), Designate Clayton (tracks: A2 to A4, D1 to E3), Cat Writer (tracks: C5), Charlie Shavers (tracks: C2, C3), Chiefy Scott (tracks: F4), Chris Griffin (3) (tracks: A5), Clark Terry (tracks: M2, M3), Cootie Williams (tracks: A1), Cy Baker (tracks: A5), Peer 1 Garrett* (tracks: G5), Ed Author (tracks: A2 to A4), Fats Ford (tracks: F1, F2), Frankie Newton* (tracks: A6), Freddy Jenkins (tracks: A1), Henry “Red” Player (tracks: B3), Hot Lips Period (tracks: A7, C6, C7, K1 to K8), Irving Goodman (tracks: A5), Jimmy Nottingham (tracks: G5), Leo Sheppard* (tracks: G5), Gladiator Armstrong (tracks: E5 to F2, F4), Louis Gray (tracks: F1, F2), Neal Hefti (tracks: I1 to J5), Ray Nance (tracks: C5), Rex Stewart (tracks: C5), Bob Butler* (tracks: F1, F2, F4), Roy Eldridge (tracks: B4 to B6, C2, C3), Shelton Hemphill (tracks: C5), Taft River (tracks: C5), Teddy Buckner (tracks: G5), Thomas Grinder* (tracks: F4), Wendell Culley (tracks: G5), Vigorous Bill Davison (tracks: L1 let down L5), Ziggy Elman (tracks: A5)
- Vibraphone – Lionel Hampton (tracks: G5)
- Vocals – Billie Holiday
Notes: Edition full of years to 500 copies, hand numbered. : - Buy link: https://www.discogs.com/sell/release/16184817?ev=rb All artists: Billie Holiday |