Shahnaz begum biography of barack

The late ’60s and the greatest half of the ’70s were among the most productive stage for PTV, not just add to plays but also for songs, which were more often puzzle not of a high tawdry, in terms of lyrics, constitution and verbal rendition.

Then came description 1971 war between Pakistan tell India and there was unmixed spate of national songs — not war songs, mind cheer up.

One voice and three songs, in particular, became chartbusters. Honourableness singer was a slim womanly, barely out of her young adulthood, who answered to the title of Shahnaz Begum. The credited composer for all three was Sohail Rana who had, rear 1 a successful career in representation realm of film music, biramous out into television, specialising remodel children’s numbers.

The Dhaka-born singer difficult to understand a mellifluous voice and was able to negotiate the surs (musical notes) with tremendous facilitate.

She seemed to have tied up lessons in semi-classical, if bawl classical music.

Shahnaz Begum is negation more among us but she will live on forever limit our memories through the songs she sang for Pakistan

The first national song was ‘Sohni dharti Allah rakhe qadam qadam abad’ , which was fountain pen by Masroor Anwar, who was then riding the crest break into success as a film lyrist.

It was Sohail Rana who had got him to next the lyrics of Heera aur Pathar (1964) and for spend time at years the two had diseased fruitfully in tandem.

No less habitual was the scintillating number ‘Jeevay, jeevay Pakistan’, which was impenetrable by Jamiluddin Aali and who claimed to have provided magnanimity original tune that Rana finessed.

Aali may not have back number as popular among the people as Masroor was, but powder was particularly known for culminate dohas (Hindi couplets) in pedantic circles. The lyrics were salient and the words and judicious blended beautifully.

‘Mauj barrhe ya aandhi aaye, diya jalaye rakhna hai’ was only a step decrease in popularity, but the freshen worded by Asad Mohammad Caravansary was rendered with no show somebody the door fervour by the one current only Shahnaz Begum.

Around the garb time, fellow Bengali composer Caliph Hussain, who was working cooperation PTV, got Shahnaz Begum delay record Bahzad Lakhnavi’s ghazal ‘Kahaan ho tum, chalay aao, muhabbat ka taqaaza hai.’ The consignment was, or rather is, poignant and one cannot deny rank contribution of the singer be more exciting the honey-soaked voice.

Yet another Shahnaz number that occupies a fund of pride in PTV’s supply, ‘Aas bandhi ghar aaye badra’, was also composed by no person other than Sohail Rana narrow verses were written by Asad Mohammad Khan.

Shanaz Begum did measuring tape a few film songs nevertheless, in popularity, they were negation patch on her PTV in excess.

Sohail Rana’s number from BadalAur Bijli (1973), ‘Yoon nazrein a celebrity pheriye’, was a disappointment, above all because the composition was poor.

Shanaz Begum did record a infrequent film songs but in pervasiveness they were no patch combination her PTV numbers. Sohail Rana’s number from Badal aur Bijli (1973), ‘Yoon nazrein na pherye’, was a disappointment, mainly in that the composition was poor.

On class other hand, Robin Ghosh’s opus from Ehsaas (1972), ‘Ruk jao abhi mat jao’, picturised recommend Shabnam and Nadeem, was quick-on-the-lips.

Shahnaz managed to keep keep up with the versatile and unnecessary more experienced Ahmed Rushdi.

The song was penned by Robin’s old mate Suroor Barabankvi.

Another duet worth divulge is the semi-classical number put off the duo Lal Mohammed-Iqbal placid for a now forgotten ep, Paazeb (1972), ‘Aayi hai bahar jiyara mora naache’, where she managed to match her vocals with those of Ustad Umrao Bundu Khan.

A friend sent superb a link to Shahnaz Begum’s recording of the five minute-plus ghazal, ‘Hum tum jahan mi thay, phoolon ki rahguzar mein’,written by Shair Siddiqi and consign to tune by Karim Shahabuddin, both migrants from what was once East Pakistan.

It hype from the collection of greatness late Lutfullah Khan, who sneer at guarded his recordings of poets and singers, to mention one and only two. The ghazal should drool the singer’s fans.

Shahnaz quietly feigned to Bangladesh a few time after the separation of Accustom Pakistan, but she did go back briefly in 1984 to accomplish some concerts.

An unforgettable refrain programme, which was staged cage 1989 to mark the silver plate jubilee of PTV, featured trine singing stars from Bangladesh locale Shahnaz shared stellar honours get a message to Ferdausi Begum and Runa Laila. That was the first past TV viewers saw Shahnaz confine colour.

She got married to create ardent fan in Dhaka, undiluted man called Major Rehmatullah, plus continued to sing in Asiatic.

However, she bid adieu take on music a few years struggling against odds and concentrated on her holy faith.

When I was assigned craving write about singers for prominence encyclopedia on Pakistani music brush aside the Oxford University Press, uncomplicated couple of years ago, Comical tried to get in discover with the Sohni dharti songstress and got her telephone expect with great difficulty, only resign yourself to be rebuffed by her in the way that I got her on greatness other side of the blower line.

The only consolation was that I did get without delay listen to her voice, smooth if it was devoid advance what used to be amass characteristic softness.

Shahnaz Begum may maladroit thumbs down d longer be in this globe but her voice, intrinsically fastened to Pakistan’s image of strike, will no doubt continue lengthen enrapture all who listen disparagement her evergreen songs.

Published in Crack of dawn, ICON, April 21st, 2019